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There’s stylised violence, but Michael Boyd’s staging focuses on the high-flown rhetoric of Marlowe’s drama
Michael Boyd’s revival adds new dimensions to Chekhov’s drama
The cast work beautifully in Will Eno’s inventive family drama at the Ustinov Studio
Andrea Carroll makes a bewitching Mélisande in Debussy’s decadent opera
The lightly comic Belarusian play sparkles pleasingly
The Royal Opera experiments with a more informal venue for Michael Boyd’s Monteverdi production
A dark, challenging but brilliant family drama from Dan LeFranc
‘My 20-year-old self would have a right old laugh at the knighthood,’ says the theatre director
Michael Boyd brings both his Shakespearean experience and his Russian directorial training to bear
Michael Boyd leaves the RSC after a decade at the helm
International Edition